14 January 2013

Cinematography // Window-gazing

I compiled some reference for different composition of the part of the story where the character is looking out the window. Upon observation of these shots we have decided that larger windows make the character look smaller, weaker. Moments where the character is reflective and has a positive outlook are quite warmly lit, whereas moments where the character is feeling contained, separate from society, or in moments of sadness, are lit coldly, with the use of blue lighting.

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